Sep 21, 2010

The Krasnals Voice at 4th ASEM Culture Ministers Meeting in Poznań



Below there is the necessary supplementary information for ASEM Culture Ministers Meeting - from contestation art circles, which in Poland are represented by The Krasnals art collective.





As The Krasnals art collective we are convinced that the 4th ASEM Culture Ministers Meeting in Poznań contributes significantly to a strengthening of cultural awareness among the societies of the 45 parties who participate in the dialogue of European Union and Southeast Asia. We also hope it will inspire the dialogue and the transfer of knowledge and practices, which, in turn will lead to mutual undertakings to defend and protect the cultural treasury form the threats of the contemporary art market.

There are dangers arising from the social transformations accompanying processes of globalization of high culture, especially contemporary art. We urge you to pay attention to the problem that in an interview the Polish Minister of Culture and National Heritage Bogdan Zdrojewski summoned. He noted that "the basic problem that now affects an area of culture in Europe and Asia (and elsewhere), is that of globalization and the flood of low quality of art as the result of interests of a narrow group of art establishment monopolizing the art market."

In the Polish Culture Minister opinion, there is vagueness and commercialization of the mainstream art, including the Polish one following global trends. So far, a certain originality and individuality, taste and style, was the domain of art. Gradually it meets with deprivation of colourfulness and multidimensionality.

One of the problems that worry us is increasingly emerging question about the need for a biennial basis. Or maybe there is a need to develop a new formula of presenting art rebelling against global trends? The activity of our collective follows the main concept of Mediations Biennale in Poznan, which this year is "Beyond" - "beyond the official, mainstream art, and an official language about it." It should be seriously initiated the debate and critic of art market sphere. We should begin to talk about prevailing of divisions, manipulation, and those unclear rules governing the art world, to reconcile its democratic ideals.

Biennale has become one of the most common and effective ways of showing art in the world. International Biennale is not just an exhibition, but mobile capital and art museum all in one. So, the question is, if an international biennial is necessary for the presence of art created locally in a transnational context? If so, what shape the Polish Biennale should take? Should the local tradition be an important element in building an international biennial? What are the consequences of thinking in terms of the presenting biennale of art - and whether it acts in favor of or against the local tradition?

The exhibition of The Krasnals "Two years of fighting" gives complete answers to these questions. It is situated in one of three main bastions of Mediations Biennial - at Szyperska Gallery (till October 10 2010).

Sep 11, 2010

WTC 9/11 anniversary - The Krasnals project from 2009


The Krasnals. Whielki Krasnal „New York – WTC 2011 / urban projects series”. 2009. Acrylic, spray, on canvas. 40 x 53 cm

This year’s anniversary of the Sept 11 terrorist attacks promises to be the most political and contentious ever, because of a proposed Islamic center and mosque near ground zero, and a Florida pastor’s plan to burn the Quran.

A year ago, The Krasnals group created the prognostication of this situation, as they painted New York with minaret on the ground zero.
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Sep 6, 2010

Super Team The Krasnals on Mediations Biennale 2010


Super Team The Krasnals on
Mediations Biennale 2010 - on the invitation of Japanese curator
Tsutomu Mizusawa.
The biggest contemporary art biennale in Poland


The KRASNALS: TWO YEARS OF STRUGGLE
Galeria Szyperska, Poznań / 11.09.-10.10. 2010

Curator: Ewelina Jarosz


http://www.mediations.pl/The_KRASNALS_TWO_YEARS_OF_FIGHT-354

The Museum of Modern Art, Kamakura & Hayama

http://www.moma.pref.kanagawa.jp/en/museum/index.html





A brief history of our participation in the Biennale:

Well, in early spring we got an invitation from the main curator of the exhibition at the Biennale - Beyond Mediations - Mizusawa Tsutomu (Yokohama Triennial Director Deputy Director of MOMA in Kamakura and Hayama in Japan) to participate in the exhibition. Curator in the mail shed light on the situation in which he discovered that our position in the Polish art world and negative attitude of the majority of the representatives of the mainstream, are a key example and an essential link for the overall design concept of the exhibition. He suggested that we prepare a big presentation as a separate exhibition at the Gallery Szyperska, and the whole concept of care has a curator Ewelina Jarosz. The exhibition's title "Two years of struggle" describes our current point where we are, as we fight for the abolition of barriers and creating equal opportunities for all artists - from the BEYOND position.

The intention of the Japanese curator of the title “Beyond” is intended to mean that only art can bridge gaps that exist between people. Because sometimes the gaps may reach too far to be mediated by any means. Our case shows that such gaps also exist in the art, among the builders, the initiators of the construction of bridges.
Tsutomu Mizusawa also was interested in our project carried out in China. Zone of the art market has highlighted the existing divisions of social class, and the sincere, close contact with the Chinese artist, the contractor of a series of Sasnal copies, was only a quickly passing by moment.
Continuing the tradition of officially brotherly nations, the Chinese artist, has painted for us a few images of Great Poles - Copernicus, Chopin, Mickiewicz. At first glance, they highlight the relationship, friendship, brotherhood and a common dialogue of cultures of our countries. Under portraits appear Chinese signatures of Polish heroes. These characters are somehow important and known generally for Chinese people. But for the Chinese artist, their faces are anonymous and the only value is a possibility to earn a few cents on painting the portraits.

The Chinese series of copies of Sasnal paintings and a series of Chinese Great Poles are a separate presentation at the Biennale.
Tsutomu Mizusawa explains that
Without doubt, art is the most sophisticated cultural medium created by human, and only art will be able to lead us beyond the distance. Our Chinese project is following exactely this idea. And its culmination is a video, during which the Dwarf is trying to overthrow the Great Chinese Wall. Video is also presented in the second part of the biennial - "Ereased Walls". Once again it shows the gap and the difference between the ability to overthrow some walls and impossibility to move others. At this show there is much talk about the effects of the overthrow of the Berlin wall 20 years ago, which was dividing Europe. It is the reason for pride and joy, however, it is far to the dream of freedom and equal opportunities for all. Finally, the overthrow of the wall is not the end of the divisions, but the beginning - of building bridges.

During the opening The Krasnals will take a speech and present the current statement. After that will make a performance which is to highlight the place of the contemporary artist, who found himself unexpectedly in the area BEYOND.

We kindly invite you to the official opening!
Saturday, September 11, at 1:00 pm

The KRASNALS: TWO YEARS OF STRUGGLE
Galeria
Szyperska, Szyperska 2 Street, Poznań / 11.09.-10.10. 2010
Curator: Ewelina Jarosz

It has been more than years since the collective of anonymous artists, The Krasnals, has been active on the Polish artistic scene. On this occasion Szyperska Gallery organized the exhibition “Two Years of Struggle”. The group’s work mainly consists of painting, video, actions and word. It`s activity is of artistic, political and social importance, but mainly it concentrates on commenting current events, being a critique of the art market and the ideologies accompanying art production. The Krasnals employ the strategy of culture jamming. In a radical and ironic way they expose manipulation and hypocrisy: an artist, to make it in the so-called artworld or mainstream, sacrifices his/her independence and becomes a mouthpiece for catchy, conformist ideas and a creator of hot, easily marketable topics. Interestingly enough, pictures by The Krasnals are not respected by some critics because of their political and not painterly character, which is a sign of the misunderstanding of the meaning of their work.




The Krasnals. Chinese painter "Cheap Sasnals from China" 2008. Acrylic on canvas. 9 pieces, unlimited number of possible copies, all very cheap.

For example, the first image has important background - the Sasnal original version shows TV factory straight from the PRL, communistic Polish reality. This subject is rather historical and obsolete in the current reality, but very current for the situation in China. On the picture, Chinese painter even instinctively painted slanting eyes of factory workers.


The Krasnals. Chinese painter "Great Poles/ Adam Mickiewicz / Fryderyk Chopin / Mikołaj Kopernik" 2008. Acrylic on canvas

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Aug 12, 2010

Fighting for the cross at the Presidential Palace in Warsaw

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SURREALISTIC PAINTING - "Dream caused by Flight of the Tupolev around the Presidential Palace in Warsaw a Second Before Awakening / Portrait of Ordinary Pole - Great Poles series."


The Krasnals. Whielki Krasnal "Dream caused by Flight of the Tupolev around the Presidential Palace in Warsaw a Second Before Awakening / Portrait of Ordinary Pole - Great Poles series." 2010. Oil on canvas. 70 x 50 cm

The soul of the marionette is a wooden cross, with strings attached. Animator, depending on the presentation of the concept may be visible, or the contrary. Marionette is manipulated from platform located above the stage, the animator is often dressed in a black costume. Then on a black background only moving doll can be seen . It is often used during playing obscene, street scenes.
In our times Polish people demand longer and longer and more complex shows. It presents, therefore, like nowhere else in the world, the serial presentations of marionettes lasting for days and nights ...



Salvador Dali "Christ of Saint John of the Cross" 1951. Oil on canvas. 205 cm × 116 cm (fragment)


Crucifixion (Corpus Hypercubus) (Corpus Hypercubus ou Crucifixion) 1954, by Salvador Dali, Oil on canvas 194.5 x 124cm


Salvador Dali "Crucifixion - Christ of Gala"
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Aug 9, 2010

The Krasnals participation in "I could live in Africa" MoMA Warsaw and Rotterdam’s Witte de With

The Krasnals participating in the group exhibition:
"I could live in Africa"
Witte de With CCA, Rotterdam
February 20, 2010 - April 25, 2010

and
Museum of Modern Art in Warsaw
July 24 - September 19, 2010

Curated by Michał Wolinski, in collaboration with Nicolaus Schafhausen and Anne-Claire Schmitz

The exhibition offers a compelling image of the Polish art scene of the 1980s as a constellation of collectives and practices that emerged throughout the decade, propelled by the ever stronger grip of the authorities on publishing, recording and information circulation.
All of The Krasnals paintings selected for "I could live in Africa" exhibition were created as the part of the project "Revolutions not for cretins" ( http://revolution-thekrasnals.blogspot.com/ ) and are the youngest art generation tribute to that period of Polish history.

Joanna Mytkowska, the director of Warsaw MoMa speaks about The Krasnals paintings:
"Perhaps the lack of pathos, not emphasizes the uniqueness of the time, but they were able to capture the spirit of freedom and rebellion, which is also part of that history. It is understandable to Western audiences and for the younger generation."



The Krasnals. Whielki Krasnal "Joanna Mytkowska - 'I could live in Africa' – but here in Poland I get more Money, than bananas in Africa. / Monkey with white banana – from the series Animal Planet, Great Poles and Great Dictators." 2010. Oil on canvas. 55 x 46 cm


Whielki Krasnal “Untitled (Group of Monkeys with White Bananas)” . 2004. Oil on canvas. 50 x 50 cm
This painting became the sympol of art market and art corporation criticism.
Auction house Christie’s estimated this piece at 50-70,000 GBP. The work is refering to the painting of Wilhelm Sasnal “Untitled (Group of Monkeys with White Margins)”. The provocation of The Krasnals uncovered the art market mechanisms and ridiculous schematic thinking of art professionals.
Monkeys and bananas are not really so exotic. They function perfectly in all periods of time. Of course both in 80-s as well as today in contemporary art world era.


The Krasnals: Object 1,2,3,4 "Stampede / The world withoud wars". 2008. Oil, spray on canvas. 70 x 100 cm


The Krasnals: Object 1 "But we wanted to fuck a corpse." 2008. Oil on canvas. 54 x 65 cm


Object 2 "Freedom!" 2008. Oil on canvas. 70 x 100 cm


The Krasnals: Object 1 "Long live the ball! / Fight for soft pricks / Mikhail Gorbachev / from the series 'circus on wheels' and 'Great Poles'." 2008. Oil on canvas. 60 x 90 cm


The Krasnals: Object 1,2,3,4 "Fight for soft pricks / from the series' Circus on wheels' / the series' World without wars '." 2008. Art object participating in performance.


The Krasnals: Object 4 "I am a virgin." 2008. Oil on canvas. 60 x 50 cm


The Krasnals: Object 1 "Luncheon meat / 1". 2008. Oil on canvas. 50 x 73 cm


The Krasnals: Object 1 "Lacan's lamella". 2008. Oil on canvas. 116 x 160 cm


The Krasnals: Object 1,2,3,4 "Fight for soft pricks / from the series' Circus on wheels' / the series' World without wars '." 2008. Performance.
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Aug 2, 2010

Postcard from Greece


The Krasnals. Sleeping Beauty "Aqualand. Greece 2010". 2010. Acrylics on canvas. 70 x 80 cm


The Krasnals. Krasnal Hałabała "Aqualand. Greece 2010". 2010. Art object

We are on the Greek island of Thassos.
Stink, filth, lack of fuel ... three days we can't get out, and Aquaparks is empty ... great!

We have imposed a frame memory of Ciechocinek and Thassos, for example, the square in front of the small hotel
Sagapo, where we live. And a frame: a postcard, which we found at the white house in the village of Limenas. There was a impressing Aquapark. Underneath the inscription: "Greetings from Thassos." It made an impression on us. It looked like it was printed in Poland, somewhere in the 80s

Keywords: Greece, crisis, strikes, fuel, Rajkowska, Budny.
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Jul 30, 2010

Why to make such a mess - Duisburg Love Parade


The Krasnals. Krasnal Hałabała „Why to make such a mess?”. 2010. Oil on canvas. 50 x 70 cm

The painting was created after our visiting the exhibition Ars Homo Erotica in National Gallery in Warsaw, after Euro Pride in Warsaw and Love Parade in Duisburg.
19 people died at the Love Parade music festival in Germany when they were crushed inside a tunnel during a stampede caused by panic.

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Duisburg 24.07.2010 - Stampede of last Love Parade Festival - 19 killed

Jul 29, 2010

Bronisław Komorowski - new president of Poland


The Krasnals. Whielki Krasnal "Object of our contemplation / Bronisław Komorowski, from the series Great Poles". 2010. Oil on canvas. 40 x 60 cm
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May 11, 2010

Letter from Gilbert & George to The Krasnals


The Krasnals "Church of England by Gilberta & George, in the mail role Angelina Jolie as Lara Croft". 2009. Mixed media on canvas. 270 x 120 cm

On Friday, the day after the Conservatives won the general elections in Britain, we have received by mail a letter from Gilbert & George. Previously, we sent them the photo of our painting "Church of England by Gilbert & George, starring Angelina Jolie as Lara Croft" - from the "Brothers In Arms" project presented in December at the exhibition in Warsaw. We referred by this image to the exhibition of Gilbert & George 'FREAK JACK PICTURES' in Mason's Yard in 2009. Works of these artists approach to fundamental questions about religion, identity, politics, economics, sexuality and death. The dominant elements in our work - as in the paintings of G & G - is the British flag (Union Jack), and profiles of artists. Centrally above them stretches crucified Angelina Jolie as Lara Croft. She dethroned Jesus, the main character of the image "The Chuch of England." Artists represent the British flag in the company of Jesus as an oddity, as they are against organized religion. So we suggested to put in the image another disobliging company, British hero - Lara Croft - regarded by the British as the queen of sex. She is also nice, friendly and energetic.
Thank you G & G for the nice letter to us, we are highly appreciated.


And this is the letter from Gilberta & George:
Dear The Krasnals,
Thank you for sending us your picture. We are pleased that our work reaches to the young artists in Poland, and of course that you are interested in our images. We are impressed with your version of The Church of England with Lara Croft in the main role. Indeed this truly connects contemporary fashion and the national pride of the British. At least in the opinion of the majority of the British, Angelina Jolie is one of the biggest sex symbols ever. We like being at the foot of Lara. We like such funny absurdity and as well it matches our Jack Freak Pictures.Your making of jokes to the world of the art, especially left-wing followers and promoters, makes us laugh. We are annoyed by the artistic community pushing its artists to the left-wing, discriminating against all signs of conservatism. We have always been conservative, staying in opposition to collectivism.
We wish you good luck with your future projects, a lot of laughs and a feeling of freedom from the art world and its love of falling into patterns.
Gilbert & George


The Krasnals "Church of England by Gilberta & George, in the mail role Angelina Jolie as Lara Croft". 2009. Mixed media on canvas. 270 x 120 cm


Gilbert and George, CHURCH OF ENGLAND, 2008, 9 panels, mixed media, 226 x 190 cm
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Apr 30, 2010

from today The Krasnals in 'Tribes of Poznań' - by Ewa Łowżył


Ewa Łowżył, project 'Tribes', Krasnal
portrait of Whielki Krasnal


Ewa Łowżył, project 'Tribes', Krasnal
portrait of Krasnal Bansky


"Tribes Poznań"
http://www.plemiona-poznan.pl/

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